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Mickey 17 makes cloning feel grubby again
Bong Joon Ho turns disposable cloning into workplace body horror, pushing biopunk cinema away from sleek futurism and back into meat, class, and fear.
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Bong Joon-ho keeps finding bodies in the machine
From Snowpiercer to Mickey 17, Bong Joon-ho turns sci-fi into a class x-ray: funny, brutal, and increasingly obsessed with disposable bodies.
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